The original Eventide H9 became one of the most recognisable compact multi-effects pedals ever made. It was small, powerful, studio-grade, and unmistakably Eventide. For many players, it became the “secret weapon” pedal: the box that could cover reverb, delay, pitch, modulation, weird textures, ambient pads, stereo width, and sounds that did not feel like anything else on the board.

But the original H9 also had one obvious limitation: over time, the rest of the pedal world caught up in terms of screens, editing, onboard control and workflow. Then Eventide released the H90, a much more powerful flagship processor with dual algorithms and deep routing. That created a new question for a lot of players:

What if you want the modern Eventide sound library, but you do not need the full size, complexity or price jump of the H90?

That is exactly where the Eventide H9 Harmonizer Gen 2 makes sense.

The Eventide H9 2nd Gen⁠ takes the compact idea of the original H9 and brings it into the modern Eventide era. It adds the complete H9 Max library, expands the algorithm count to the full 74-algorithm lineup from the H90 family, introduces modern ARM processing, improves hands-on control, adds a larger 2.5-inch display, USB-C, MIDI, 1,000+ presets, and a much more performance-ready interface. Eventide describes the H9 Gen 2 as including 74+ algorithms from the full H90 and H9 Max libraries, with more than 1,000 presets and modern ARM processing. 

In short, the H9 Gen 2 is not just a reissue of the old H9.

It is the compact Eventide pedal many players wanted after the H90 arrived.

What Is the Eventide H9 Harmonizer Gen 2?

The Eventide H9 Harmonizer Gen 2 is a compact multi-effects pedal built around Eventide’s studio-grade effects algorithms. It covers a huge range of sounds, including delay, reverb, pitch shifting, harmonizer effects, modulation, granular processing, vocal-style effects, synth-style manipulation, looper sounds and experimental sound design textures.

This is important because the H9 Gen 2 is not trying to be an amp modeller. It is not designed to replace a Helix, Quad Cortex, Kemper, Fractal or TONEX-style rig. Instead, it is designed to give you access to the Eventide effects world in a compact pedalboard-friendly format.

Think of it like this:

The H9 Gen 2 is not your whole rig. It is the most inspiring effects engine on your board.

For guitarists, bassists, synth players, studio musicians, ambient players and modern worship musicians, the H9 Gen 2 is a premium creative processor that can move from tasteful studio polish to completely otherworldly textures.

You can view the product here: Eventide H9 2nd Gen at Gsus4⁠

What’s New in the Eventide H9 Gen 2?

The biggest story is not just one new feature. It is the combination of algorithm expansion, hardware improvement, workflow improvement and modern connectivity.

The original H9 was already powerful. But the H9 Gen 2 feels much more like a modern standalone pedal.

Here are the main upgrades.

1. Full H90 and H9 Max Algorithm Libraries

This is the headline feature.

The original H9 Max came preloaded with 52 effect algorithms and 99 presets, with more than 500 presets available through the H9 Control app. 

The H9 Gen 2 expands that concept dramatically. Eventide states that H9 Gen 2 includes 74+ algorithms, covering the full H90 and H9 Max libraries. 

That means the H9 Gen 2 gives you a much broader effects palette than the original H9 Max. You are not just getting the classic H9 sounds. You are also getting access to the newer H90-era algorithms in a compact single-algorithm format.

This is the most important upgrade for players who already know and love Eventide.

The Eventide H9 Gen 2⁠ is for players who want the modern Eventide algorithm library without moving all the way up to the larger H90.

2. More Than 1,000 Presets

The H9 Gen 2 gives you more than 1,000 presets, which is a major jump from the onboard preset structure of the original H9 Max.

This matters because Eventide algorithms can be deep. A single algorithm can often cover many different musical roles depending on how it is programmed. For example, an Eventide delay may not just be a delay. It may include modulation, filtering, pitch movement, stereo shaping, diffusion or rhythmic manipulation.

With 1,000+ presets, the H9 Gen 2 becomes much more immediate. You can use it as a preset-based performance pedal, a sound design tool, or a compact library of Eventide textures.

For players who do not want to build every sound from scratch, this is a big advantage.

You can call up a sound, play, tweak the most important parameters, save it, and move on.

3. Modern ARM Processing

The H9 Gen 2 uses modern ARM processing, giving it a more current hardware platform than the original H9. Eventide and recent launch coverage both describe the Gen 2 as moving to modern ARM processing for improved speed and usability. 

This matters because the new algorithms are not just “more sounds.” Some of the H90-era effects are more complex and demanding than older H9 algorithms. Granular effects, polyphonic pitch processing, synth-style transformations and more advanced harmonizer sounds need more modern processing resources.

The result is a pedal that feels better suited to today’s Eventide library.

The original H9 was impressive for its time. The H9 Gen 2 is built for the current Eventide ecosystem.

4. SIFT Polyphonic Pitch Technology

One of the key modern additions is support for Eventide’s newer polyphonic pitch technology. Coverage of the H9 Gen 2 notes the addition of SIFT technology for polyphonic algorithms such as Polyphony, PolyFlex, Prism Shift and PolySynth. 

For players, the practical benefit is simple:

The H9 Gen 2 is not just for single-note pitch tricks. It is built to handle more modern, complex pitch-based processing.

That makes it especially useful for:

• Ambient guitar
• Chordal pitch effects
• Polyphonic harmony textures
• Synth-style guitar sounds
• Experimental pads
• Modern worship swells
• Soundtrack and cinematic textures

Eventide has always been one of the most important names in pitch shifting and harmonizer effects. The H9 Gen 2 continues that identity in a more modern compact pedal.

5. Larger 2.5-Inch Display

One of the biggest criticisms of the original H9 was not the sound. It was the workflow.

The original H9 was famous for its minimalist one-knob interface and app-based editing. That was elegant in one way, but it also meant a lot of players relied heavily on the H9 Control app for deeper editing.

The H9 Gen 2 addresses this with a larger 2.5-inch display and a more complete front-panel control system. Launch coverage specifically notes the redesigned interface, 2.5-inch display and more direct access to controls. 

This makes the H9 Gen 2 feel less like an app-dependent pedal and more like a modern performance processor.

That is a major real-world upgrade.

If you play live, rehearse regularly, or tweak sounds at the shop, studio or church, onboard control matters.

6. Three Quick Knobs and Better Hands-On Control

The H9 Gen 2 adds three Quick Knobs and button-based navigation for modes such as presets, parameters and performance control. This is one of the biggest workflow improvements over the original H9 concept.

The old H9 was powerful, but many users thought of it as a pedal that became much easier once connected to the app. The H9 Gen 2 is designed to be more self-contained.

This is a big deal for players who want to edit on the floor without pulling out a phone, tablet or laptop.

For live players, that means faster changes.

For studio players, that means less menu friction.

For pedalboard users, that means the H9 Gen 2 finally feels more like a proper modern pedal rather than a compact processor that depends on external editing.

7. USB-C Connectivity

The H9 Gen 2 moves to USB-C, which is exactly what modern pedal users expect in 2026.

USB-C is used for Eventide Control app connection, updates and MIDI functionality. Eventide’s H9 Gen 2 specs list USB Type-C / USB 2.0 for computer control, software updates and MIDI. 

This makes the pedal easier to integrate into modern studio and live setups.

USB-C also matters because many current laptops, tablets and hubs are already USB-C based. For players who update pedals, manage presets, use MIDI, or build more sophisticated rigs, this is a welcome practical upgrade.

8. MIDI In and Out/Thru

The H9 Gen 2 includes 5-pin DIN MIDI In and MIDI Out/Thru. This keeps it suitable for serious pedalboard integration.

That matters for players using:

• Morningstar controllers
• Boss ES switchers
• RJM switchers
• Disaster Area controllers
• MIDI-capable loop switchers
• DAW-based MIDI automation
• Synth or studio MIDI rigs

With MIDI, the H9 Gen 2 can be controlled as part of a larger system. You can recall presets, sync tempo, automate changes, control parameters and integrate it into more complex performance setups.

This is one reason the H9 Gen 2 is not just a “guitar pedal.” It is a compact Eventide processor for serious rigs.

9. Instrument and Line-Level Operation

The H9 Gen 2 supports both instrument-level and line-level operation. Eventide’s published specification lists instrument and line input impedance values, along with maximum input levels of +4 dBu for instrument and +14 dBu for line. 

This is important because not every player is using pedals in the same way.

The H9 Gen 2 can fit into:

• Guitar pedalboards
• Bass pedalboards
• Synth setups
• Studio send/return setups
• Amp effects loops
• Line-level modeller rigs
• Hybrid pedalboard and interface systems

That makes the pedal more flexible than a simple guitar-only stompbox.

For example, if you already use a modeller like a Quad Cortex, Helix, Kemper, Fractal, TONEX or Ampero, the H9 Gen 2 can work as a premium stereo post-effects processor. If you use synths or keys, it can operate more like a compact desktop effects unit. If you are a guitarist using a traditional amp, it can sit in front of the amp or in the effects loop depending on the sound you want.

10. Wet/Dry and Pre/Post Routing

The H9 Gen 2 supports stereo, wet/dry and pre/post routing options. Eventide lists Wet/Dry and Pre/Post routing among the H9 Gen 2’s additional features. 

This is especially useful for players with more advanced rigs.

Wet/Dry routing can be useful when you want one signal to remain dry while another carries the processed effect. This is common in studio-style guitar rigs and ambient setups.

Pre/Post routing can be useful when using the pedal around other gain stages, amp effects loops or modelled rigs. Some effects work better before drive. Others work better after. Pitch, modulation, delay and reverb can behave very differently depending on placement.

The H9 Gen 2 does not go as deep as the H90’s dual routing system, but it is much more flexible than a basic mono-in / mono-out pedal.

11. Seamless Spillover

The H9 Gen 2 includes true spillover, allowing effect tails to continue when switching presets or bypass states. This is a major performance feature for ambient, worship, cinematic and live players.

For example, if you are using a long reverb or delay, you do not want the sound to cut off unnaturally when changing presets. Spillover helps the transition feel more musical.

This is one of those features that may not look exciting on a spec sheet, but it matters immediately on stage.

12. Built-In Tuner

The H9 Gen 2 also includes a built-in tuner.

That sounds simple, but it adds value for compact boards. If you are building a smaller setup, every pedal slot matters. Having a tuner built into the H9 Gen 2 may allow some players to simplify the board or keep a backup tuner available inside the processor.

For players building compact worship, fly, theatre, studio or direct rigs, small conveniences like this can matter.

H9 Gen 2 vs Original H9 / H9 Max

The H9 Gen 2 keeps the spirit of the original H9, but it modernises almost everything that matters.

The original H9 was a breakthrough because it gave players a compact way to access Eventide effects. But the H9 Gen 2 takes that concept further by expanding the sound library, improving onboard control and bringing the hardware platform up to date.

Main Differences

Feature	Original H9 / H9 Max	H9 Gen 2
Algorithm Library	H9 Max had 52 algorithms	74+ algorithms from full H90 and H9 Max libraries
Presets	99 onboard presets, 500+ via H9 Control	1,000+ presets
Processing	Original H9 platform	Modern ARM processing
Editing Workflow	More app-centric	Better standalone editing
Controls	One-knob interface	3 Quick Knobs and button-based control
Display	Smaller original H9 display	Larger 2.5-inch display
Connectivity	USB, Bluetooth, MIDI depending on setup	USB-C, MIDI DIN, expression/aux control
Pitch Processing	Classic H9 pitch algorithms	H90-era algorithms including modern polyphonic pitch options
Best For	Classic compact Eventide users	Modern Eventide compact multi-FX users

The original H9 Max is still a respected pedal, but the H9 Gen 2 is clearly the more modern platform. If you loved the idea of the original H9 but wanted better editing, more algorithms and a more current workflow, the Eventide H9 Gen 2⁠ is exactly the update you were waiting for.

H9 Gen 2 vs H90: Compact Eventide or Flagship Eventide?

The H90 is the bigger brother. It is more powerful, more flexible and more advanced in routing.

But that does not automatically mean every player needs it.

The main difference is that the H90 can run two algorithms at the same time, while the H9 Gen 2 is a single-algorithm pedal. Eventide describes the H90 as having dual-algorithm processing, true spillover, series/parallel routing, flexible I/O and insert capability. 

That means the H90 is better if you want to build complex Eventide chains inside one pedal. For example:

• Delay into reverb
• Pitch into shimmer
• Modulation into granular delay
• Two separate stereo effects
• One algorithm pre-gain and another post-gain
• Dual routing for two instruments or two signal paths

The H9 Gen 2 is different.

It is for players who want one world-class Eventide algorithm at a time in a smaller, simpler and more compact format.

Choose H90 if:

• You want two algorithms running simultaneously.
• You need advanced routing.
• You want the pedal to act as the main effects workstation.
• You need more I/O.
• You want insert routing or dual-path setups.
• You are building a complex MIDI-controlled rig.

Choose H9 Gen 2 if:

• You want the Eventide sound in a smaller pedal.
• You usually use one major effect at a time.
• You do not need dual algorithms.
• You want H90 sounds without the full H90 format.
• You want a compact premium processor for a pedalboard.
• You want something easier to fit into an existing rig.

The easiest way to think about it is this:

The H90 is your Eventide command centre. The H9 Gen 2 is your compact Eventide sound engine.

For many players, the H9 Gen 2 will be the more practical choice.

H9 Gen 2 vs HX Stomp: Not the Same Job

The H9 Gen 2 and Line 6 HX Stomp are both compact and powerful, but they are not trying to solve the same problem.

The HX Stomp is an amp and effects processor. Line 6 describes HX Stomp as having more than 300 amps, cabs and effects from the Helix, M-Series and legacy Line 6 libraries. 

That means HX Stomp is a better choice if you need:

• Amp modelling
• Cab simulation
• IR loading
• Full direct guitar rig
• Drive, amp, cab and effects in one box
• Backup rig for gigs
• Compact all-in-one modeller

The H9 Gen 2 does not try to do that.

Instead, the H9 Gen 2 is a focused premium Eventide effects processor. It is for players who already have their core amp tone sorted and want world-class Eventide pitch, delay, reverb, modulation, granular and experimental effects.

So the comparison should not be “which one has more features?”

The better question is:

Do you need a full rig modeller, or do you need premium creative effects?

If you need amp modelling, HX Stomp makes more sense.

If you already have an amp, modeller or pedal platform you love, the Eventide H9 Gen 2⁠ adds a very different kind of value.

H9 Gen 2 vs Strymon BigSky MX: Wider Eventide Sound World or Reverb Specialist?

Strymon BigSky MX is one of the most powerful reverb pedals available. Strymon describes BigSky MX as a studio-quality reverb workstation with 12 algorithms, dual reverbs and 10-second stereo impulse response capability. 

That makes it a better choice if reverb is the main thing.

BigSky MX is for players who want:

• Dual reverb engines
• Deep ambient reverb
• Convolution / impulse response reverb
• Dedicated reverb workflow
• Massive stereo ambience
• A flagship reverb workstation

The H9 Gen 2 is broader.

It gives you reverb, but also pitch, harmonizer sounds, delay, modulation, granular effects, vocal-style processing, synth manipulation and experimental Eventide algorithms.

So again, the question is not simply “which is better?”

The better question is:

Do you want the deepest reverb workstation, or do you want the wider Eventide effects universe?

Choose BigSky MX if reverb is the main event.

Choose H9 Gen 2 if you want a compact processor that can move between reverb, delay, pitch, harmonizer, granular, synth and experimental sounds.

Key Sounds Inside the H9 Gen 2

The biggest reason to buy the H9 Gen 2 is not the spec sheet. It is the sound library.

Eventide effects have a particular personality. They can be polished and studio-like, but they can also become strange, cinematic and impossible to recreate with ordinary pedals.

Here are the types of sounds the H9 Gen 2 is built for.

---

Reverb

The H9 Gen 2 can cover practical reverbs, ambient reverbs and classic Eventide-style spaces.

You can use it for:

• Plate-style studio ambience
• Hall reverbs
• Spring-style textures
• Shimmer and pitch-based ambience
• Blackhole-style space
• Long pad-like washes
• Cinematic soundscapes

For worship, ambient, post-rock and cinematic guitar, this alone makes the pedal extremely useful.

But unlike a dedicated reverb pedal, the H9 Gen 2 does not stop there.

---

Delay

Eventide delay algorithms can go far beyond standard repeats.

The H9 Gen 2 can be used for:

• Digital delay
• Modulated delay
• Rhythmic delay
• Multi-tap delay
• Reverse delay
• Pitch delay
• Ambient delay
• Stereo delay movement

This makes it useful as a main delay pedal or as a secondary “special effect” delay in a larger pedalboard.

---

Pitch and Harmonizer Effects

This is one of Eventide’s strongest identities.

The H9 Gen 2 is especially attractive if you want pitch effects that go beyond basic octave up/down sounds.

It can cover:

• Harmonizer effects
• MicroPitch-style widening
• Pitch delay
• Polyphonic pitch textures
• Synth-like pitch movement
• Classic Eventide pitch-shifted ambience
• Experimental detune and stereo spread

For players chasing wide, polished, modern guitar textures, this is one of the strongest reasons to choose the H9 Gen 2 over a normal multi-FX pedal.

---

Granular and Experimental Processing

The H9 Gen 2 also includes more experimental H90-era processing, including granular-style effects. Recent launch coverage describes the Gen 2 as including granular processors and newer algorithms such as Cosmic Web, Glitch, GrainMod and Stutter. 

These sounds are useful for:

• Sound design
• Film scoring
• Ambient guitar
• Synth textures
• Noise and experimental music
• Modern worship intros and transitions
• Studio production
• Live looping and texture work

This is where the H9 Gen 2 becomes more than a normal pedal.

It becomes an instrument for creating sounds.

---

Synth-Style and Vocal-Style Effects

The H9 Gen 2 also reaches into synth-style manipulation and vocal-style processing. Eventide launch information describes the Gen 2 library as covering granular processing, vocal effects and synth-style manipulation alongside classic delays, reverbs and pitch effects. 

That makes it interesting not only for guitarists, but also for:

• Bass players
• Keyboard players
• Synth users
• Producers
• Sound designers
• Vocal processors
• Studio engineers

Because the pedal can handle line-level operation, it can function as more than just a guitar stompbox.

Hardware Specifications

The H9 Gen 2 is compact, but the hardware specification is serious.

Processing and Control

Specification	Details
Processing	Modern ARM processing
Algorithms	74+ algorithms from full H90 and H9 Max libraries
Presets	1,000+ presets
Display	2.5-inch display
Main Controls	3 Quick Knobs
Footswitches	2 programmable footswitches
Performance Control	HotKnob and HotSwitch support
Editing	Onboard editing plus Eventide Control app
Tuner	Built-in tuner

Audio I/O

Specification	Details
Inputs	2 x 1/4-inch TS mono inputs
Outputs	2 x 1/4-inch TS mono outputs
Input Level	Instrument or line level
Instrument Input Impedance	Greater than 600k ohms
Line Input Impedance	Greater than 80k ohms
Output Impedance	220 ohms
Recommended Load Impedance	10k ohms
Maximum Input Level, Instrument	+4 dBu
Maximum Input Level, Line	+14 dBu

Connectivity

Specification	Details
USB	USB Type-C / USB 2.0
MIDI	5-pin DIN MIDI In and MIDI Out/Thru
Expression / Aux	1/4-inch TRS for expression pedal, CV or aux switch
App Control	Eventide Control via USB-C
Bluetooth	Expected in a future update according to launch coverage
Routing	Stereo, Wet/Dry and Pre/Post routing
Spillover	Seamless effects spillover

Power and Physical Specs

Specification	Details
Power	12V DC @ 1A, centre positive
Power Connector	5.5 / 2.5mm
Dimensions	5.25 x 5 x 2.7 inches
Weight	0.6 kg / 1.33 lb
Included Accessories	Universal power supply with US/UK/EU/AUS plugs, USB-C cable, rubber feet, Eventide sticker, guitar pick and cheat sheet

Eventide’s published H9 Gen 2 specification lists the power requirement as 12V DC @ 1A, centre positive, and the included accessories include a universal power supply with regional plugs and a USB-C cable. 

That is worth noting because many standard pedalboard power supplies are 9V centre-negative. The H9 Gen 2 should be powered according to Eventide’s official requirement.

Who Should Buy the Eventide H9 Gen 2?

The H9 Gen 2 is not for everyone, and that is part of why it is such a strong product.

It is not trying to be the cheapest multi-FX pedal. It is not trying to be a full amp modeller. It is not trying to replace every pedal on every board.

It is for players who specifically want the Eventide sound world in a compact modern pedal.

1. Ambient and Worship Guitarists

The H9 Gen 2 makes a lot of sense for ambient and worship players.

You can use it for:

• Shimmer textures
• Massive reverbs
• Clean stereo delays
• MicroPitch width
• Pad-like swells
• Reverse textures
• Pitch-shifted ambience
• Transition sounds
• Cinematic intros and outros

If your board already has drives, compressor, tuner and core delay/reverb sounds, the H9 Gen 2 can become the “special atmosphere” pedal.

It can also work as your main ambient processor if you want to keep the board compact.

2. Players Who Already Have Their Amp Tone Sorted

If you already use a good amp, amp modeller, pedal platform or direct rig, you may not need another amp modeller.

That is where the H9 Gen 2 becomes very attractive.

For example, if your core sound comes from:

• A real amp
• Quad Cortex
• Helix
• HX Stomp
• Fractal
• Kemper
• TONEX
• UAFX amp pedals
• Hotone Ampero
• A pedalboard into a clean amp

Then the H9 Gen 2 can sit around that rig as a premium Eventide effects processor.

This is one of the most practical reasons to choose the Eventide H9 2nd Gen⁠.

You are not duplicating your amp modelling. You are adding a different level of effects.

3. Existing H9 Users

Existing H9 users are probably one of the clearest audiences for the H9 Gen 2.

If you loved the original H9 but wanted:

• More algorithms
• Better onboard editing
• A larger display
• More presets
• H90-era sounds
• USB-C
• Modern processing
• Less dependence on app editing

Then the H9 Gen 2 is a very logical upgrade.

The original H9 was iconic. The H9 Gen 2 is what many users probably wished the next compact H9 would become.

4. Studio Players and Producers

The H9 Gen 2 is not only for guitar pedalboards.

Because it supports line-level operation, stereo I/O, MIDI and USB-C control, it can also work well in studio setups.

It can be used on:

• Guitar
• Bass
• Synth
• Keys
• Vocals
• Drum loops
• Studio sends
• Re-amping chains
• Sound design sessions

For producers, the H9 Gen 2 is appealing because it gives access to Eventide sounds in hardware form without taking up much space.

It can sit on a desk, in a pedal chain or in a hybrid studio rig.

5. Bass Players Who Want More Than Standard Effects

Bassists often avoid multi-FX pedals that are too guitar-focused. But Eventide effects can be very useful on bass when used tastefully.

The H9 Gen 2 can work well for:

• Stereo chorus
• MicroPitch-style width
• Octave and pitch textures
• Ambient bass intros
• Synth bass processing
• Delay and reverb for solo sections
• Experimental low-end textures
• Studio bass sound design

Because the pedal can run at instrument or line level, it can fit into more bass setups than a basic guitar pedal.

6. Players with Limited Pedalboard Space

The H9 Gen 2 gives you a huge amount of sound in a compact enclosure.

If your board is already crowded, replacing several specialist pedals with one compact Eventide unit may make sense.

It can cover roles that might otherwise require multiple pedals:

• Reverb
• Delay
• Pitch
• Harmonizer
• Modulation
• Granular
• Synth-style effects
• Looper-style creative tools
• Experimental textures

That does not mean it will replace every pedal for every player. But it can reduce the need for multiple “special sound” pedals.

Who Should Not Buy the H9 Gen 2?

A good buying guide should also be honest about who may need something else.

The H9 Gen 2 may not be the right choice if you need:

• Amp modelling
• Cab simulation
• IR loading
• Multiple effect blocks at once
• Two Eventide algorithms simultaneously
• Deep dual-path routing
• A dedicated dual-engine reverb workstation
• A very simple one-knob pedal

If you need amp modelling, HX Stomp or another modeller may make more sense.

If you need two Eventide algorithms at once, buy the H90.

If you only care about the deepest dedicated reverb experience, Strymon BigSky MX may be more appropriate.

But if you want the compact modern Eventide effects world, the H9 Gen 2 is exactly the point.

Final Recommendation

The Eventide H9 Harmonizer Gen 2 is one of the most interesting pedal releases because it answers a real-world problem.

The original H9 was loved, but it eventually felt limited by its older workflow. The H90 is incredibly powerful, but not every player needs a flagship dual-algorithm workstation. HX Stomp is excellent, but it is mainly a full rig modeller. BigSky MX is stunning, but it is primarily a reverb workstation.

The H9 Gen 2 sits in a different lane.

It gives you the modern Eventide sound library, H90-era algorithms, 1,000+ presets, USB-C, MIDI, better onboard editing, modern ARM processing and compact pedalboard size.

It is not trying to do everything.

It is trying to do the Eventide thing extremely well.

If you want one compact pedal that can cover beautiful reverbs, inspiring delays, classic Eventide pitch shifting, harmonizer sounds, granular textures, synth-style processing and experimental sound design, the Eventide H9 2nd Gen⁠ is one of the most powerful compact effects pedals available.

The simple buying advice is this:

Buy the H90 if you want the full Eventide workstation.

Buy HX Stomp if you need amp modelling.

Buy BigSky MX if reverb is the only main priority.

Buy the H9 Gen 2 if you want the Eventide universe in a compact, modern, pedalboard-friendly format.

For many players, that will be the sweet spot.

FAQ

What is the Eventide H9 Harmonizer Gen 2?

The Eventide H9 Harmonizer Gen 2 is a compact multi-effects pedal with 74+ algorithms from the H90 and H9 Max libraries, more than 1,000 presets, modern ARM processing, stereo I/O, USB-C, MIDI, expression/aux control, a 2.5-inch display and improved onboard editing. 

What is new compared with the original Eventide H9?

Compared with the original H9 / H9 Max, the H9 Gen 2 adds the expanded 74+ algorithm library, H90-era sounds, modern ARM processing, more than 1,000 presets, a larger 2.5-inch display, USB-C, 3 Quick Knobs, improved onboard editing and modern routing options.

Is the H9 Gen 2 the same as the H90?

No. The H9 Gen 2 is a compact single-algorithm Eventide processor. The H90 is the larger flagship model with dual algorithms, more advanced routing and deeper I/O. The H9 Gen 2 is better for players who want one Eventide algorithm at a time in a smaller format.

Can the H9 Gen 2 run two algorithms at once?

No. The H9 Gen 2 is best understood as a single-algorithm pedal. If you want two Eventide algorithms running simultaneously, the H90 is the better choice.

Is the H9 Gen 2 better than HX Stomp?

They are different tools. HX Stomp is better if you need amp modelling, cab simulation and IR loading. H9 Gen 2 is better if you already have your core amp tone and want premium Eventide effects such as pitch, reverb, delay, harmonizer, granular and experimental processing.

Is the H9 Gen 2 better than Strymon BigSky MX?

It depends on what you need. BigSky MX is a dedicated flagship reverb workstation with dual reverbs and impulse response capability. H9 Gen 2 is more versatile overall because it covers reverb, delay, pitch, harmonizer, granular, modulation, synth-style and experimental effects.

Who is the H9 Gen 2 best for?

The H9 Gen 2 is best for ambient guitarists, worship players, studio musicians, synth users, bassists, existing H9 users, compact pedalboard builders and anyone who wants Eventide’s creative effects library without moving up to the larger H90.

Does the H9 Gen 2 work with MIDI?

Yes. The H9 Gen 2 includes 5-pin DIN MIDI In and MIDI Out/Thru, plus USB-C connectivity for MIDI, updates and computer control.

What power supply does the H9 Gen 2 need?

Eventide’s published specification lists the H9 Gen 2 as requiring 12V DC @ 1A, centre positive. It also includes a universal power supply with US, UK, EU and AUS plugs. 

Where can I buy the Eventide H9 Gen 2 in Australia?

You can order the Eventide H9 2nd Gen from Gsus4⁠.